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Found 2,693 results

  1. the music video is coming for 100 Million as well:
  2. 1,000,000,000 streams on Spotify.
  3. She’s performing at Gillette Stadium next year and the dates sold out within hours under only a pre-sale (general sale usually intended for the GP hasn’t even started yet) with 17,000+ people still in the queue Apparently more tickets are to be added, but maybe she should be doing more than 4 stadium dates in the US she’s gonna outgross some girls’ entire US tour legs with these shows and once again won’t fully capitalize on the demand I guess Context: the queue caps out at 2,000 even when there are more people waiting. Some fans used inspect element to find out the real number of fans in the queue and it was upwards of 35,000 at a later time than the 17,000 number, even after the date practically sold out the 360 stage is quite smart since they really are going to need those extra tickets!
  4. Norman Fucking Rockwell!, Lana Del Rey’s fifth and finest album, begins with a breakup and ends with self-affirmation and hope. In between, she takes on wide-lens topics—climate change, gun violence, depression, death—with effortless cool. (She even manages to seamlessly fit in a Sublime cover.) Her indelible pop melodies are strung together with the grace of a tragic ballet. Lana worked on the record with Jack Antonoff, a producer known for encouraging pop artists to indulge their most theatrical, bombastic sides. Del Rey, however, encourages a more somber atmosphere, defined by muted piano, acoustic guitars, and layered harmonies that pair with her angsty, existential stories—’70s in spirit and ’90s in frame of mind, to paraphrase a lyric. If Lana’s music once sounded like a collage of her heroes’ greatest hits, then here is where she lapsed into her own language entirely. –Sam Sodomsky Entire list: https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/
  5. 59. Taylor Swift: Red (2012) Red is a portrait of a young woman eager to feel everything on her way to the top. Its songs are self-aware enough to be funny and guileless enough to be honest, capturing the temptation of risk-taking, the rush of memory and disappointment, and the transformative power of grown-up romantic love felt for the first time. The album gave Taylor Swift her first No. 1 hit (the irresistible “We Are Never Ever Getting Back Together”) and inaugurated many of her famously over-the-top marketing tactics: commemorative Keds sneakers, Papa John’s pizza boxes, weaponized tabloid gossip. Aside from her pop leanings, the chipper breakup-to-makeup story “Stay Stay Stay” and melancholic renewal ballad “Begin Again” would be some of her final acoustic-forward recordings of the decade. Soon after Red, nobody in America could ever again plausibly ask, “Who’s Taylor Swift, anyway?” –Anna Gaca 57. Taylor Swift: “All Too Well” (2012) ”All Too Well,” the hidden gem of Taylor Swift’s Red, captures everything that makes her a world-class songwriter: her emotional intelligence, her candor, her economy of words, her ability to find beauty in vulnerability. Swift tells a big story by freezing time and honing in on small details, the kind that could seem like background noise to others: the scarf that her ex (reportedly, Jake Gyllenhaal) kept as a memento, the refrigerator light that illuminated midnight dance parties. All these hyper-specifics, rigorously chronicled, protect Swift’s pain so she can tend to it; when she sings, “It was rare/I was there,” she asserts her own experience against those who would trivialize it. As the song builds, its initially mild-mannered guitar gains energy, cymbals begin to crash, and Swift’s voice steadily rises. But she doesn’t really need volume to convey the magnitude of the damage. It’s the quietest moments that serve this story best—they make you lean in close enough to see every tiny fissure in her broken heart. –Olivia Horn Honestly surprised they included anything by her at all slay, I guess!
  6. and the Enjoy Yourself 30th Anniversary celebration continues! Here's the full Enjoy Yourself concert in Sydney for those who haven't seen it yet!
  7. I can't believe i'm alive to witness that. Each music video is uploaded once now (they deleted double uploaded live performances too ). She lost 200 million from her total views tho but idc, she will gain them faster now that the views aren't going to get splitted. https://www.youtube.com/user/madonna/videos?view=0&sort=p&flow=grid Now they need to update some thumbnails, i don't expect them to update the quality of the videos anytime soon so idc.
  8. 12. Rihanna: ANTI (2016) With ANTI, Rihanna hopped off of the factory line, destroyed the mind-control machine, added some salt to the cafeteria’s chicken. She took risks and freed herself from mainstream pop expectations, cementing herself as a risk-taking, boundary-breaking godhead. Her eighth album moves from jarring, atonal rock to lackadaisical dancehall before switching up into sultry, sex-positive R&B. She bounces into a stoned torch song in which she’s all but crooning on top of a piano before, whiplash: a weird but brilliantly faithful cover of Tame Impala’s “New Person, Same Old Mistakes,” just because she can. Every left turn is delivered with her inimitable attitude and empowerment; every shrugged decision leads to a fascinating new journey. Upon ANTI’s release, the New York Times called it the “record you make when you don’t need to sell records” but, really, it’s the album Rihanna made when she no longer had to sell Rihanna. When it was released, she was enjoying the most freedom yet in her career: She’d been through her Saturn return, she’d swerved Drake, she’d jumped from Def Jam to Roc Nation and started her own imprint there. She’d acquired the masters of all the songs she’d recorded at Def Jam and was fully independent. She was ennobled to take a big, ambitious swing that could have broken at the seams, yet ANTI proved her modern rewriting of that old adage: Freedom’s just another word for no fucks left to give. –Allison P. Davis
  9. Billboard reported the date in Antwerp. Christina Aguilera Sportpaleis Antwerp, Belgium July 6, 2019 $547,752 8,416 / 8,416 1 / 1 $112.49, $39.37 Live Nation We love a sold out show
  10. The impact jumped out and in CGI now.
  11. Is her 3rd video to achieve this. She gained 95.000.000 in less than a half year! Almost 200.000.000 views if you count the second version.
  12. I mean... There is a chance it will improve but I highly doubt it. Her worst album being supported by her worst tour. We've actually come this far.
  13. Ariana


    Today, KM94 turns 25! Her first studio album after leaving PWL the album that blessed us with some of her BEST singles to date The album reached #3 in Australia with 35K copies sold #4 in the UK with 100k copies sold Confide In Me #1 for five weeks in Australia Peaked at #2 in the UK Put Yourself In My Place Peaked at #11 in both Australia and the UK Where Is The Feeling Peaked at #16 in the UK #31 in Australia
  14. Unapologetic Bitch


    @Gilly downvote to show how much you love Madonna