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  1. my main faves stanning each other i cannotttt
  2. Soul bearing, politically unpalatable, and unapologetically black, Beyoncé’s sixth solo album Lemonade was surprised released on a Saturday night, following the premiere of its hour-long visual film counterpart. Where “Single Ladies” beckoned even the least acute pop patrons to the dancefloor, lead single “Formation” parted that floor with hashtags like #BoycottBeyonce or #IStandWithBeyonce. The conceptual short film sparked cultural conversation around Black Lives Matter, the complications of reconciliation post-infidelity, and was punctuated with poetry on the black female experience and keen observations from Malcom X. Tracks “Sorry”, and “Hold Up” and “Don’t Hurt Yourself” were eloquently positioned fuck yous, “Freedom” a call to arms, and moments like “Daddy Issues” laid bare a typically buttoned-up Beyoncé. Lemonade also reveled in its own arena of sound: Whereas her sonics before could be described as R&B with an inclination towards pop, here she enlisted country, funk, and New Orleans Jazz, as well as collaborators like the Dixie Chicks, Jack White, James Blake, and Kendrick Lamar, to create something that was distinctly her own. More importantly, Lemonade, through sound, lyrics, and visuals, set the bar for what an album should do: pull you in, call you out, make you question yourself, your society, and your own comfort, all while somehow leaving you entertained. Full list: https://consequenceofsound.net/2019/11/top-albums-of-the-2010s/4/ Beyoncé at #79
  3. Editor’s Note: The Albumism staff has selected what we believe to be the 110 Best Albums of the 2010s, representing a varied cross-section of artists, genres, and styles. Click “Next Album” below to explore each album in the list or for easier navigation, view the full introduction & album index here. MADONNA | Madame X Interscope (2019) | Buy Selected by Mark J. Marraccini Madonna’s radically adventurous and globally-inspired Madame X polarized fans and critics for good reason. It’s her least accessible album, but it’s also up there with the best she’s ever made. Including language barriers (“Medellín”, “Faz Gostoso”), disparate musical genres (“Crave” vs. “Batuka”), and lyrics that ignite controversy (“God Control”, “Killers Who Are Partying”), Madame X was not for the casual Madonna fan that rolled their eyes at the Hebrew vibes of “Isaac” on 2005’s Confessions on a Dance Floor. Years from now, we’ll look back on Madame X as the Madonna album that’s most closely aligned with the real Madonna Louise Veronica Ciccone, and one of her most artistically audacious and authentic offerings. More at Albumism.com
  4. Her second song to do so as a solo artist and third overall!
  5. She is also the biggest black female artist (#4 overall) , biggest female hip-hop/R&B artists (#2 overall) and “Anti” is the biggest album by a black female. truly a legend. also not bad for a “single” artist.
  6. 41. Beyoncé: Lemonade (2016) The first thing Lemonade delivers is wrath: Infidelity has ruptured not just marriage but a whole life. Beyoncé, the world’s most powerful woman, is gleeful to set streets on fire, throw off her wedding ring, shit-talk with her girls to abandon. If Lemonade’s first 10 minutes has a headline, it would be that Jay-Z, dummy that he is, really did cheat. But then everything builds to something more profound, more complete: a prayer about how love can fracture the self. Suddenly we’re in Texas, in stadiums, on plantations; a Led Zeppelin beat is next to a reggae sample. “SpottieOttieDopaliscious” appears next to a James Blake feature. Lemonade feels like an exercise in dissonance, the act of holding two warring ideas in your head and in your heart: You can love someone but also hate them, adore your father and also resent him, want to cry and twerk at the same time. One woman can feel all of this—and more—at once, Lemonade suggests, because that’s how confusing life and grief and history is. It exalts the mundane as profoundly spiritual: being black, being a woman, feeling confused, feeling grief, trying to forgive, feeling sexual. In all those, together, is the healing. –Hunter Harris 31. Beyoncé: 4 (2011) Before her albums were world-stopping cultural events, before a surprise release meant “pulling a Beyoncé,” there was 4. The superstar’s aptly named fourth album marked a return to hardcore R&B after 2008’s dispiritingly middle-of-the-road I Am...Sasha Fierce; it’s telling that nothing here cracked the Top 10 pop chart but several songs ran up the R&B/Hip-Hop chart. Beyoncé was done catering to visions of how her music should sound. The star power she enlisted was massive—Kanye and André 3000 cameoed, The-Dream and Tricky Stewart lent their songwriting chops (most notably on the perfect torch song “1+1”). And then there was a young Frank Ocean, who co-wrote the silken “I Miss You,” a song so powerful the demo allegedly made Beyoncé cry. But ultimately the marquee star of 4 was Beyoncé’s indefatigable work ethic. She turned in 72 songs for this project; 12 made the cut of the standard release. (On that note: Stick with 4’s original sequencing—the reconfigured tracklist on Spotify snuffs its slow burn and displaces “Countdown” from the climax position.) She gave us more key changes than we ever thought we needed. (“Love on Top” has four!) And she blew with a late-anthropocene gusto, quivering and shaking around words, interpreting by the syllable. –Rich Juzwiak 3. Beyoncé: Beyoncé (2013) “We be all night,” Beyoncé proclaimed on “Drunk in Love,” the most meme-ready track on her self-titled album. She was singing about riding her husband’s big body like a surfboardt, but she may as well have been referring to the way listeners gulped down Beyoncé, which dropped at midnight on a Thursday and seemed to envelop all of social media into the dawn hours while also revolutionizing how albums are conceived and released. The first major pop album to adapt to the way we listen to, and watch, music in the YouTube age, her first “visual album” couldn’t have worked if it weren’t Beyoncé at her absolute best. Over 14 tracks, she peels through her exhaustive musical vocabulary: married-woman trap bangers, ’80s-influenced roller-rink jams, grown-ass R&B, burlesque backseat scores, contemporary blues ballads. And then there was “Flawless,” which sampled Nigerian novelist Chimamanda Ngozi Adichie’s 2012 TEDX talk and helped establish Beyoncé as a fierce interpreter and purveyor of black feminist thought for the pop masses. It’s difficult to understate how enduringly Beyoncé shifted culture (“I woke up like this!”), reasserting the artist as a full-spectrum visionary who was also dreaming up the future, invigorating the industry, maturing in her marriage, and blossoming into first-time motherhood. There is no doubt we’ll still be discussing it for decades to come. –Julianne Escobedo Shepherd
  7. Her fourth song to do so as a solo artist and seventh overall
  8. HMV CD pre-order: https://store.hmv.com/music/cd/artpop-(1) HMV Vinyl pre-order: https://store.hmv.com/music/vinyl/artpop-(1)
  9. -Paris Hilton dancing to "Baby One More Time. -Kylie Jenner singing "Piece Of Me" and dressing up as VMA 2003 Britney. Avril Lavigne and radio host Zach Sang dancing to "Baby One More Time". -Tinashe listening to "Showdown": The impact
  10. She is now the first artist ever to have 5 videos with 1 billion+ views as a lead/solo act Shake It Off - 2.836B Blank Space - 2.510B Bad Blood - 1.321B Look What You Made Me Do - 1.103B You Belong With Me - 1B Next up: Wildest Dreams at 674M, will probably hit 1B in around 2040 Other notable streaming feats: 2nd most streamed woman on Apple Music (behind Ariana) 3rd most streamed woman on Spotify (behind Ariana and Rihanna) 2nd most streamed woman on YouTube (behind Katy) Streaming poison indeed