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Let's do this with her best album Make it into an EP with 6-7 songs. 1+1 I Care I Miss You Best Thing I Never Had Party Rather Die Young Start Over Love On Top Countdown End of Time I Was Here Run The World (Girls) Lay Up Under Me Schoolin' Life Dance for You Dreaming

Top 3: 1. Fun Tonight 2. Free Woman 3. 911 Bottom 3 1. 1000 Doves 2. Babylon 3. Enigma

Till the World Ends vs Invitation Hold It Against Me vs Make Me... Inside Out vs Private Show I Wanna Go vs Man On The Moon How I Roll vs Just Luv Me (Drop Dead) Beautiful vs Clumsy Seal It with a Kiss vs Do You Wanna Come Over? Big Fat Bass vs Slumber Party Trouble For Me vs Just Like Me Trip To Your Heart vs Love Me Down Gasoline vs Hard To Forget Ya Criminal vs What You Need Up N' Down vs Better He About To Lose Me vs Change Your Mind (No Seas Cortes) Selfish vs Liar Don't Keep Me Waiting vs If I'm Dancing Scary vs Coupure Electriqué

Which of Taylor's recent two albums do you prefer and why? The darker and gloomy world of Reputation or the bright and colorful world of Lover?

will make a nice OP sometime but stream this in the meantime x

Rank Selena's collabs! (Since there are so many, we'll only be ranking her solo career collabs from 2013 onwards) LIST Good For You Fetish I Want You to Know We Don't Talk Anymore It Ain't Me Wolves I Can't Get Enough Taki Taki Crowded Room A Sweeter Place LESSER KNOWN Already Missing You Bidi Bidi Bom Bom Trust Nobody Anxiety (Exclude or include any of them in your rankings, your choice!)

1. hopeless fountain kingdom 2. Manic 3. BADLANDS And that’s the

ha! beautiful day! how you guys doing? :llama::llama::llama:

What are some of Mariah's performances that maybe didn't go so well/perfectly, but you still like them anyway? I think this is my favorite performance of Can't Take That Away. It wasn't the best day for her, vocally. She didn't have much of a range and she was really husky/raspy. However, she only lipped just a few seconds and the nature of the vocals somehow fits the song for me? Not to mention she seemed really at ease the whole time. Sometimes you can tell when she's agitated with her own lack of vocal control but, she seemed pretty invested in the performance on this one. I also think the moments when she does kill it just feels all the more satisfying (ex. the held-out note at 3:32)

Ariana: Thinking Bout You Beyoncé: Run The World (Girls) Britney: Piece of Me Christina: Your Body Katy: Dark Horse Gaga: Paparazzi Lana: National Anthem Madonna: Give Me All Your Luvin' i guess Mariah: Obsessed Rihanna: Diamonds Taylor: Look What You Made Me Do

It seems we won't be seeing our faves indefinitely What's the last concert memory before Ms. Rona's world tour? and since Taylor cancelled the Lover Fest dates, @Dennis Reynolds and I have organized a virtual tour which is happening in 4 hours! Hope to see you all there! #ad

The first song I have ever heard in my life was Single Ladies.

My rapping sis Onika really has some god tier pop songs and some very basic meh pop songs but which one would you consider to be the best out of all of them?

Both were released at the worst times of their lives (post breakout and domestic violence) and both are darker than their previous albums. Gimme More vs Mad House Piece of Me vs Wait Your Turn Radar vs Hard Break the Ice vs Stupid in Love Heaven on Earth vs Rockstar 101 Get Naked (I Got a Plan) vs Russian Roulette Freakshow vs Fire Bomb Toy Soldier vs Rude Boy Hot as Ice vs Photographs Ooh Ooh Baby vs G4L Perfect Lover vs Te Amo Why Should I Be Sad vs Cold Case Love Get Back vs The Last Song Everybody vs Hole in my Head Blackout: Rated R:

Ya'll need to stop sleeping on this man. @Ariana stans too and has taste.

For me, it was Problem. That was the first song I've ever heard from her.

I guess most people won't know this but it was my shit back in the day And this absolute bop by the best girl group ever

But I'm talking this version Yeah it's dorky and low-key embarrassing but it's new for her and fun so fight me

Blackout has perhaps become Britney’s most lauded album among fans and retrospective pop music critics. This is rather significant considering its relatively low impact at the time. The music had taken a backseat to Britney’s media attention and tabloid coverage. The critics were more concerned with her awkward pole-dancing in the “Gimme More” music video or her lip-synced fumbling performance at the MTV Video Music Awards. The album remains a black sheep among her discography, which sees Britney completely embracing the underground genres of dark electro-pop, techno, and even dubstep (all of which became more popular in later years). It didn’t offer the type of bubbly personality, sensuality, or radio-friendly hits we’d come to expect from a Britney album. This was what made it such an outlier – not just for Britney, but for the pop music landscape. Blackout is arguably Britney’s most cohesive album; the soundscape is succinct and each track brings its own level of satisfaction for the overall listening experience. However, despite this praise, it’s difficult to name Blackout as the best Britney album. The project is decidedly impersonal. Beyond a few softer tracks – like “Heaven on Earth” and “Why Do I Feel Sad” – the album is aggressively and unabashedly sexual. In The Zone had offered tracks oozing intimacy with a slice of passion: Britney whispered soft desires in “Breathe on Me” and easy sultriness over oriental strings on “Touch of my Hand”. Blackout hits listeners with gritty, hard-edge beats, forward lyrics of uncommitted erotic encounters, and a fair amount of vocals from the male producers that make you feel like a sweaty guy is breathing down your neck at a club. In fact, the entire albums feels like strobe-lights in a crowded black-box club, black paint on the walls and floors, and graffiti all over the bathroom stalls. The room is spinning, it’s dark, and there are people grinding on you from all sides. In some ways I suppose that was the intention of this album: it was meant for the clubs. On In The Zone, Britney co-wrote eight of the tracks. These were oftentimes specific to her experiences or interests. In 2005, fans were seeing Britney becoming more and more involved in the creative process, and were even promised the most personal project of her career. Whatever work was done between 2004 and 2007 was seemingly scrapped (with only a few Britney-penned tracks surviving on an EP) and the public received Blackout instead. Britney barely contributed to two of the tracks on the album, and considering her private struggles, the media scrutinizing her behavior, and being pregnant during recording, it’s hard to find the artist’s personal connection to the music. Britney only performed once to promote the album, and was focused instead on her own trials and tribulations. Considering what was going on with her at the time, a raw, sexually-charged record is an odd professional move. That isn’t to say that Britney isn’t present on the album. Despite criticisms of over-reliance on autotune, Britney is direct, loud, and sassy on Blackout, giving more than a few memorable performances. An album doesn’t necessarily need to come from a personal place to be good. Blackout is sonically interesting and one of the most provocative pop albums of the 2000s. Other female pop singers of the time couldn’t quite pull off this type of image and embracement of underground pop subgenres as Britney did. It remains a solid, timeless album even after all these years. One of the reasons why Blackout can’t quite snag the title of Britney’s best album is because of the releases that bookend it. In the Zone saw Britney’s intentionally-charged blossom out of her teen-pop image and into womanhood and creative metamorphosis. The album doesn’t quite hit you from all sides, as there are a few tracks that could have been replaced by any number of excellent unreleased material, but it saw Britney at her most involved. It was refreshing to see her finally take control of her music. On the other end, Britney barely gave Blackout enough time to rest in the dirt before releasing Circus in 2008. Although Britney still wasn’t giving much creative input, the album has a better balance in tone. The album is more positive, brighter, and doesn’t preoccupy itself with the subject of sex. The album is full of certified hits (“Womanizer”, “Circus”, “If U Seek Amy”) and even more potential smashes (“Kill the Lights”, “Shattered Glass”, “Unusual You”). Circus saw Britney re-embracing Top 40 sensibilities, but unlike the bubblegum releases of her youth, this album is mature and competent. One can’t quite say whether or not In the Zone or Circus are Britney’s best efforts – just as it can’t be said with certainty that Blackout takes that crown. All three are highly formidable pop albums in their own right, and it all depends on what the listener wants from Britney Spears as an artist.

Christina Maria Aguilera has a lot of music. What is your ranking of her discography? Mine is this: 1. Keeps Gettin' Better (a compilation full of one definite promise...that unfortunately gotten away for so many years) 2. Stripped (she will never top this project) 3. Liberation (wait, she did! but not really...) 4. Back to Basics (a lot of basics, but gorgeous nonetheless) 5. Bionic (I wish this album was entirely sounded like Birds of Prey or Monday Morning or Little Dreamer or at least Elastic Love) 6. Christina Aguilera (this album is very good, there's a reason why it sold so many copies guys) 7. Lotus (good concept, good motivation...but why?) 8. Burlesque (basically Back to Basics but make it a bunch of Nasty Naughty Boys) Had it ever been a thread? If yes, I'll delete it soon.

Which eras do you think were amazing from the first moment it was announced to the last day of tour/last single?

I mean, it contains Roulette (her best song ever ), witness, power, bon apetit, chained to the rhythm, etc.. ugh a MASTERPIECE

So?